Using reprinted New York Times articles as a ground, these works begin with images and language that have already circulated through the world.
Each piece is printed onto archival paper and then painted into, allowing fragments of the original text to remain visible. The paintings do not replace the source material, but work in tension with it—obscuring, reframing, and at times amplifying what is already there.
The subjects move between public events, environmental forces, and more atmospheric or interior moments. Rather than treating these as separate categories, the work approaches them as interconnected conditions shaped by the same systems of information, perception, and memory.
Across the series, there is an ongoing interest in how images carry meaning—how they inform, distort, and persist over time. Language and image remain active within the surface, continuously shaping how the work is read.
List of Works
Creating a Community, 2026
Oil over pigment print of New York Times on rag paper, 25 x 13.5 inches
How To Run During a Pandemic, 2025
Acrylic over pigment print of New York Times on rag paper, 19 × 13 inches
The America We Need, 2025
Acrylic over pigment print of New York Times on rag paper, 19 × 13 inches
A Twisted Conception of Reality, 2025
Acrylic over pigment print of New York Times on rag paper, 19 × 13 inches
A Solemn Dance for Dark Times, 2026
Oil over pigment print of New York Times on rag paper, 24.5 x 13.25 inches
How to Wear Your Heart on Your Sleeves, 2026
Oil over pigment print of New York Times on rag paper, 27.5 x 15 inches
It’s Location, Location, Location, 2026
Oil over pigment print of New York Times on four sheets of rag paper, 60 x 30 inches overall
A Better Place to Live Could Be One Strike Away, 2026
Oil over pigment print of New York Times on rag paper, 27 x 15 inches
Looking Ahead To a New Season, 2026
Oil over pigment print of New York Times on rag paper, 28.5 x 15.5 inches
Far from 5th Avenue, 2026
Oil over pigment print of New York Times on rag paper, 31 × 17 inches